重庆社会科学

审美意识形态论是当前文艺理论研究中一个颇受争议的命题,其中文学究竟是审美意识形态还是审美意识形式是论争双方争论的一个焦点,但由于双方都忽视了学术视野的转换,并不能突破既定的讨论框架,不能推进对这一命题的思考。审美意识形态是一个全新的历史性生成命题,是在晚期现代主义以来的社会和文化中,由于审美泛化和意识形态转型双重作用的结果,审美活动被意识形态渗透浸润,意识形态以审美的形式表征出来,二者有机统一在一起,演变成一个当代张力性命题。

The theory of aesthetic ideology is a controversial and complicated thesis in the study of literature and arts.Whether the literature is aesthetic ideology or aesthetic form is a hot issue among scholars,some scholars have ignored to exchange their Academic vision and failed to break the given framework,so they hardly can push the is- sue ahead.This paper points out that Aesthetic Ideology is a historic generated thesis which came into being in late-modernism as the cause of aestheticization and ideological transformation.The aesthetic activities are permeat- ed by ideology and ideology is presented by aesthetic form,thus the two form a tension proposition.