| 3,150 | 30 | 35 |
| 下载次数 | 被引频次 | 阅读次数 |
数字经济是伴随信息技术的进步与革命而产生的一种促进各产业不断融合的新业态,其与文化创意产业有天然紧密的联系。为此,利用CiteSpace软件分析比较中外文献数据库中,关于数字经济背景下文化创意产业研究的文献数量、学科领域、关键词共现、研究内容时区以及研究空间转换。研究发现,国内外文献数量的变化都是由政策、技术和商业因素的变化所驱动的。国外研究在学科上主要围绕经济与管理类、新闻传播类和计算机科学类展开,在内容上聚焦几个大主题,具有关联性和承接性,主要关注商业实践的发展,在地区转移上体现了全球化的趋势;国内研究在学科上主要集中在新闻传播类,在内容上主题比较分散,缺乏一定的承接性,主要关注政策的导向,在地区转移上体现了中国在世界研究的影响力。
Abstract：Digital economy is a new type of business that promotes the continuous integration of various industries with the development of information technology. It has a close relationship with cultural and creative industry. Therefore, this paper used CiteSpace software to analyze and compare the number of papers, subject areas, keyword co-occurrence, research content time zone and research space transformation of cultural and creative industry research in the context of digital economy at home and abroad. This article found that changes in the number of paper at home and abroad are driven by policy,technology and business factors. Foreign researchesaremainlyfrom several subjects such as economy and management, communication and computer science, its research contents pay attention to the development of business practice and focuses on several major themes, its regional transfer reflects the trend of globalization. Domestic research are mainly from communication, its research contents pay attention to the impact of policies, and its themes are relatively scattered, its regional transfer reflects the influence of China in the world research.
[1] Brynjolfsson E, Collis A, Diewert W E, et al. GDP-B:Accounting for the Value of New and Free Goods in the Digital Economy[R].National Bureau of Economic Research, 2019.
[2] UNCTAD.Digital Economy Report 2019[R].[2019-09-04].https://unctad.org/en/Pages/DTL/STI_and_ICTs/ICT4D-Report.aspx.
[3] Currah A. Hollywood Versus the Internet:The Media and Entertainment Industries in a Digital and Networked Economy[J]. Journal of Economic Geography, 2006(4):439-468.
[4] Patokos T. A New Era for the Music Industry:How New Technologies and the Internet Affect the Way Music Is Valued and Have an Impact on Output Quality[J].Panoeconomicus, 2008(2):233-248.
[5] Eisenschitz T, Turner P. Rights and Responsibilities in the Digital Age:Problems with Stronger Copyright in an Information Society[J]. Journal of Information Science, 1997(3):209-223.
[6] Tang P, Hulsink W. The Winds of Change:Digital Technologies, Trading Information and Managing Intellectual Property Rights[J].International Journal of Technology Management, 1998(8):869-894.
[7] Foroughi A, Albin M, Gillard S, et al. Digital Rights Management:A Delicate Balance between Protection and Accessibility[J]. Journal of Information Science, 2002(5):389-395.
[8] Tang P. Digital Copyright and the “New” Controversy:Is the Law Moulding Technology and Innovation?[J]. Research Policy, 2005(6):852-871.
[9] Christophers B. Television's Power Relations in the Transition to Digital:the Case of the United Kingdom[J]. Television&New Media, 2008(3):239-257.
[10] Savelyev A. Software-as-a-service–Legal Nature:Shifting the Existing Paradigm of Copyright Law[J]. Computer Law&Security Review, 2014(5):560-568.
[11] Pager S A. The Role of Copyright in Creative Industry Development[J]. The Law&Development Review, 2017(2):521-576.
[12] Bae S H, Kim M, Yoo K. The Effect of Piracy and Digital Rights Management on Vertically Related Content Industries[J]. Review of Network Economics, 2017(1):1-26.
[13] Oestreichersinger G, Zalmanson L. Content or Community? ADigital Business Strategy for Content Providers in the Social Age[J]. Management Information Systems Quarterly, 2013(2):591-616.
[14] Waldfogel J. How Digitization Has Created a Golden Age of Music, Movies, Books, and Television[J]. Journal of Economic Perspectives, 2017(3):195-214.
[15] Yu Sherry S. The Commercialization of Journalism:Ethnic Media, News Production, and Business Strategies in the Digital Era[J]. Journalism Studies, 2017(16):1-18.
[16] Scuotto V, Del Giudice M, Della Peruta M R, et al. The Performance Implications of Leveraging Internal Innovation through Social Media Networks:An Empirical Verification of the Smart Fashion Industry[J].Technological Forecasting and Social Change,2017(1):184-194.
[17] De Rada F, Mochon A, Saez Y, et al. TV Series and Social Media:Powerful Engagement Factors in Mobile Video Games[J].International Journal of Interactive Multimedia&Artificial Intelligence, 2018(3):46-55.
[18] Geis S, Jackob N, Quiring O, et al. The Impact of Communicating Digital Technologies:How Information and Communication Technology Journalists Conceptualize Their Influence on the Audience and the Industry[J]. New Media&Society, 2013(7):1058-1076.
[19] Birtchnell T, Elliott A. Automating the Black Art:Creative Places for Artificial Intelligence in Audio Mastering[J].Geoforum, 2018(1):77-86.
[20] Vincent R C. The Internet and Sustainable Development:Communication Dissemination and the Digital Divide[J].Perspectives on Global Development&Technology, 2016(6):605-637.
[21] Perezgonzalez L. Amateur Subtitling as Immaterial Labour in Digital Media Culture:An Emerging Paradigm of Civic Engagement[J]. Convergence, 2013(2):157-175.
[22] Duffy B E. The Romance of Work:Gender and Aspirational Labour in the Digital Culture Industries[J]. International Journal of Cultural Studies, 2016(4):441-457.
[23] Potts J. Do Developing Economies Require Creative Industries? Some Old Theory About New China[J]. Chinese Journal of Communication, 2009(1):92-108.
[24]尹章池,柯慧.数字出版组织整合与内部体制改革[J].重庆社会科学,2011(7):74-79.
[25]吴钢华.我国数字图书馆产业发展问题探讨[J].图书馆理论与实践,2007(2):13-14+23.
[26]哈艳秋,张宁.中国数字电视发展道路探析——2004中国广播影视数字发展年研究[J].现代传播,2005(4):78-83.
[27]邓香莲.数字出版:传统出版产业链的价值延伸[J].科技与出版,2007(12):17-19.
[28]陈少峰,陈晓燕.基于数字文化产业发展趋势的商业模式构建[J].北京联合大学学报(人文社会科学版),2013(2):64-69.
[29]赵雪,周庆山,赵需要.数字内容产业发展中的融合与新生[J].情报理论与实践,2012(7):19-23.
[30]罗昕,李怡然.互联网时代的媒体形态变迁与商业模式重构[J].现代传播(中国传媒大学学报),2017(10):115-119.
[31]张燕龙.数字技术时代我国版权保护的刑事路径思考--以美国版权犯罪立法的转型为参照[J].政治与法律,2017(4):64-76.
[32]李炎,胡洪斌.集成创新:文化产业与科技融合本质[J].深圳大学学报(人文社会科学版),2015(6):107-112+106.
[33]臧志彭.数字创意产业全球价值链重构战略研究——基于内容、技术与制度三维协同创新[J].社会科学研究,2018(2):45-54.
基本信息:
DOI：10.19631/j.cnki.css.2020.008.010
中图分类号:G353.1
引用信息:
[1]金雪涛,刘怡君.数字经济背景下中外文化创意产业研究进程——基于CiteSpace知识图谱的分析[J].重庆社会科学,2020,No.309(08):108-122.DOI:10.19631/j.cnki.css.2020.008.010.
基金信息:
国家广电总局项目“我国广播电视公共服务提质增效研究——基于供给侧结构性改革的视角”（GD1814）;; 中国传媒大学亚洲传媒项目“中韩传媒内容产业中基于区块链的运营创新比较研究”（AMRC2019-8）
2020-08-16
2020-08-16