重庆社会科学

基于动画艺术本身独特的审美特征,建构动画艺术与动画受众之间有效的对话性关系,对于提升受众动画艺术审美能力与动画艺术本身的美学价值有重要意义。接受美学理论最初针对文艺作品的研究而提出,但是受众动画艺术知觉思维过程中,时时潜隐受众思维本身与动画艺术的相互渗透与交叉,动画艺术如何把握受众审美经验以满足受众审美需求,与受众如何发挥主体的审美创造性进行动画艺术作品的审美接受及其相互关系的研究,从接受美学的角度能够得以一窥。

Basing on the unique aesthetic characteristics of the animation art, in order to enhance the audience's capability of aesthetic on animation art and improve the aesthetic value of the animation art itself, its significant to establish an effective dialogism relationship between animation art and animation audience. The reception aesthetics theory was initially put forward for the study of the literary works, however the interpenetration and intercross between the audience's thought itself and animation art constantly hide in the audience's animation art percipience thinking process. From the perspective of reception aesthetics theory, a study on how the animation art can satisfy the audience's aesthetic demands basing on the audience's aesthetic experience, how the audience can exert their subjective aesthetic creativity in the process of the aesthetic reception on animation art works, and mutual relationship between them can be well conducted.